| 翻訳と辞書 |
Tony Duvert
Tony Duvert (July 2, 1945 – August 2008) was a French writer and philosopher. In the 1970s he achieved some renown, winning the Prix Medicis in 1973 for his novel ''Paysage de Fantaisie''. Duvert's writings are notable both for their style and core themes: the celebration and defence of pedophilia, and criticism of modern child-rearing. In the 1970s attitudes to sexual liberation and child sexuality allowed Duvert to express himself publicly. However, when attitudes altered markedly in the 1980s, he was left feeling frustrated and oppressed.
==Youth and early writings==
Tony Duvert was born on 2 July 1945 in Villeneuve-le-Roi, Val-de-Marne. As a child he was shy and withdrawn, but was later to write that his sex life began when he was eight.〔Tony Duvert, ''L'Enfant au masculin'', éditions de Minuit, 1980, page 25〕 Expelled from school at twelve for homosexuality, he was sent by his parents to a psychiatrist for treatment: the methods used he described as brutal and humiliating.〔Tony Duvert, ''L'Enfant au masculin, éditions de Minuit'', 1980, pages 32-33〕 He ran away from home and attempted suicide.〔Gilles Sebhan, ''Tony Duvert l'enfant silencieux'', Denoël, 2010, p. 29-31 and 109〕 In 1961, Duvert joined the high school Jean-Baptiste Corot in Savigny-sur-Orge, where he was a brilliant student, but with few friends. After high school he moved to Paris to begin an arts degree but preferred to devote himself to writing.
Duvert made his literary debut in 1967 with ''Récidive'', published by Jerome Lindon of Editions de Minuit, who recognised his potential. However the novel's subject matter made the publisher nervous, and the book was printed in a limited edition of 712 copies available only through subscription and selected bookstores.
Highly productive, Duvert soon produced three successive novels: ''Interdit de séjour'' and ''Portrait d'homme-couteau'' in 1969, and ''Le Voyageur'' in 1970, which were also sold by subscription. As well as their political aspect in promoting sexual relations between adults and children, and criticising of bourgeois society, these first four novels featured narrative and stylistic experimentation in the form of rambling style, typographic games, the absence or multiplicity of plots, jumbled chronology or facts, and lack of punctuation.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Tony Duvert」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|